“No other music school in the world could hold a candle to Berklee's dedication to film scoring, music synthesis, contemporary writing concepts, and music production and engineering. "When I attended the school in the early ' 90s they had all the leading technology of the day,” Kaska says. Composer and orchestrator Kevin Kaska found the school’s connections with the Boston Symphony and Boston Pops helped him work with conductor John Williams and later establish his career in Hollywood. With a more generous 35 percent acceptance rate and an average class size of 11 students, Berklee ranks closely to Juilliard in terms of prestige but embraces more mainstream popular music disciplines, jazz and music production, including student-run record labels and concert venues. You end up working harder than you've ever worked, but you leave a better musician than you could have ever imagined.” “It is that very energy that pushes and inspires you during your countless hours of training. “Nothing compares to the intense creative energy that radiates from the Juilliard School the moment you enter,” says alumnus and composer Adam Schoenberg, whose music has been performed by the Kansas City Symphony, the IRIS Chamber Orchestra and the American Brass Quintet. And 77 percent of full-time undergrads receive financial aid averaging $28,000. Its music, dance and drama classrooms are all housed in the same building, exposing students to a variety of disciplines and inspirations. Not only has the school produced legendary composers and musicians like Bernard Herrmann, Marvin Hamlisch, Barry Manilow, Wynton Marsalis and Philip Glass, but its equally renowned drama department has unleashed talents like William Hurt, Laura Linney, Jessica Chastain and Kevin Spacey on the world. New York’s prestigious institution maintains its bragging rights as the go-to music school, with a stingy 8.4 percent acceptance rate that has crept up just slightly in recent years (and don’t forget you have to audition). My sense of the future of music-making is that's a line that's going to continue to be blurred." "I've met so many young composers who've come straight out of Juilliard, and so many of them are wonderful concert composers, but have an interest in doing film. "It was a very academic institution rather than a trade school - it's more about expanding the creative processes of the brain." But composer Jeff Beal, who recently won an Emmy for his work on House of Cards and is creating a program for the Eastman School of Music, says the key to making a living as a musician lies in diversifying. "I think the school of music was formative for me in that respect," says film composer Marco Beltrami ( The Homesman) of his experience at Yale's conservatory. For those who do want a traditional music education, a conservatory is still an effective way to develop skills without the pressures of the business side of the industry. Traditional conservatories such as Juilliard still rank high in the overall picture, even in a world in which many big-name composers and musicians make an impact without any formal training at all. commerce continues to be an issue in a world where students studying music hope someday to make a living.
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